When they started, Soane would see how good they were at drawing by getting them to draw the rooms in the Museum. A few of them didn’t prove good enough and didn’t work there for long. They had to use a door at the back of the property so they didn’t walk through the house, and they weren’t allowed to mix with the domestic servants. In the summer it would be hot and in the winter dark and cold. They worked for 12 hours a day, later reduced to 11. Soane was one of the most successful architects of his time and parents would pay to send their sons – only men worked in his office – to be trained to be architects. We see the kind of pen made from a goose feather which Soane and his pupils would have used. There is a drawing made in Soane’s office to show all his built projects up to 1815. It also shows where Soane himself worked. This section tells you about what it was like to work in Soane’s office, where the office was and how the pupils and assistants were expected to reach it. These drawings are often the work of more than one person, as the skills needed to make different kinds of drawings are quite difficult to acquire and in a big architectural office people tend to specialise in one particular kind of drawing. ![]() Soane left his house, together with his collections, to the Nation as a Museum, which is why you can visit it today.Īrchitects today still make similar kinds of drawings to those in this selection, but now they mostly work on computers. He had one of the very best collections of drawings put together by an architect, which he used for his own work and to instruct the pupils and assistants in his office. All the drawings shown are in the collection of Sir John Soane’s Museum, either those made by Soane and his assistants and pupils, or the work of other architects which Soane collected. It explains what the drawings were for and how they were made. This selection of 22 drawings has been chosen as an introduction to the art of architectural drawing.
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